
Date | Subject | Speaker |
28th February | Doubling and Deception in Sir Gawain and the Green Knight | Eric Jurgens |
21st February | Gothic for Girls: Misty and British Comics | Julia Round |
14th February | Love and Horror | TBA |
7th February | Space, Madness and Horror Film | Melody Blackmore |
31st January | M R James, non-sexual queerness and 19th century ghosts | Hannah O’Flanagan |
24th January | Arthurian Gothic | Mira Gutoff |
Online Here | ‘A Child Gathering Shells: Victor Frankenstein and the Medical World of the Early 19th Century | Cat Irving |
Online Here | ‘Gothic and Second Language Acquisition’ | Alicia Dominguez Perez |
Online Here | ‘Byron, Manfred, and the Transgender Self’ | Julia Ftacek |
Online Here | Stage Hauntings: Contemporary Gothic Drama | Marita Arvaniti |
Online Here | The Ghosts of Salem | Sebastian Crane |
Online Here | Cannibalism Fact and Fiction: Anthropological Record versus Romantic Imperialism in 21st Century Frontier Gothic | Madelyn Schoonover |
Online Here | And to Live in a New House Would Kill Me’:Transylvania in Gothic Literature vs Gothic Literature in Transylvania | Cristina Diamant |
Online Here | A trilogy of the damned: Classic Argentinian gothic in film | Valeria Villegas Lindval |
Online Here | ‘I am Stone: R Murray Gilchrist and the Gothic Weird Tale’ | Dan Pieterson |
Online Here | ‘Sometimes an Abbey is just an Abbey: Jane Austen and Gothic Satire’ | Prema Arasu |
Online Here | Old monsters are new again: the changing interpretations of Grendel’s mother in Beowulf. | Eric Jurgens |
Online Here | The ‘Exotic’ American Vampire: Blood and Sugarcane in Louisiana | Rose Sinister |
Online Here | A Ghost or a Wronged Woman?: The Gothic and the Explained Supernatural | Sam Hirst |
Online Here | Monstrous Feminine in South East Asian Folklore and Horror | Andrew Ng |
20th September | ‘Curses, Corpses & Coffins: Egyptomania in 19th and 20th Century Britain’ | Rebecca Bruce |
Online Here | ‘It wasn’t like any color I’d ever seen before’: Colour in Horror Film and Literature | Chelsea Davis |
Online Here | A Reluctant Movie: What happened between page and screen | Lucie Bea Dutton |
Online Here | Gothic Food: Examples of Consumption and the Cruelty of its Consequences in Gothic Literature | Alessandra Pino |
Online Here | Funny Bones: A Look at Ossuaries in Europe | Cat Irving |
Online Here | A Spectacle of Gore and Horror: The French Revolution and its Gothic Representations | Rayna Rosenova |
9th August | The Magic and Mysticism of Central Park: The Park’s Complicated History and How 19th Century Occult and Gothic Interests Inform Its Creation | Leanna Renee Hieber |
Online Here | Anne Rice’s Vampire Women between Impairment and Power | Laura Davidel |
Online Here | “Tales of ink and tears : a brief visual history of the gothic” | Nadjah O |
Online Here | Dicing With Death: How D&D learned to love the Gothic | Dan Pietersen |
Online here | ‘What You Buy is What You Own’: Neocolonial Masculinity, Appropriation, and Guilt in Pet Sematary | Madelyn Schoonover |
To be Resceduled | Playing with the Gothic: Identities, Bodies and Gender in Tabletop Role-playing Games! | Holly Jane Warrington |
Online here | ‘Depraved’ Bisexuals: Biphobia and Bi-erasure in Post-Millennial Gothic Television | Hayley Louise Charlesworth |
Online here | Gaily Ever After: Neo-Victorian M/M Romance | Caroline Duvezin |
Online here | The Testament of the Mexican Mummy | Abraham Castillo Flores |
Online here | Messing With Your Castle, Telling Your Secrets, and Stealing Your Girl: Comics and the Gothic | Shiri Sondheimer |
31st May | More Terror than her reason could justify: Confronting the transcendent in Radcliffe | Sam Hirst |
Online here | “Is this our Great Becoming? Gender and Adaptation in the Hannibal Lecter Franchise” | Mason Hawthorne |
Online here | ‘It’s only Twilight if it’s from the Forks region; anything else is just sparkling vampire romance’: Twilight, the Gothic Novel and the Female Reader | Kaja Franck |
Online here | “Mysterious Influences”: Religion, Empathy and Illness in the Victorian Queer Gothic | Brontë Schiltz |